As mentioned last week, October is Italian-American Heritage Month. Not only do we take a day (either the original October 12 or the second Monday) to celebrate Christopher Columbus, the Italian that most influenced America, but, like other ethnic groups, we spend the entire month honoring those who immigrated to the United States centuries after the first Italian discovered a brand new world.
This is the second in a series of columns on “the Big Three,” the three institutions that, though they to some extent describe all Americans, speak especially to the cultural heritage of Italian-Americans.
Recall the meaning of “Italian-American.” It represents an acknowledgment that you are Continue Reading “The Italian-American Triumvirate: #2 – Country”
Should Stolen Art Be Returned—Even If It Hurts the Innocent?
Monuments Man Lt. Frank P. Albright, Polish Liaison Officer Maj. Karol Estreicher, Monuments Man Capt. Everett Parker Lesley, and Pfc. Joe D. Espinosa, guard with the 34th Field Artillery Battalion, pose with Leonardo da Vinci’s Lady with an Ermine upon its return to Poland in April 1946. Source: Wikipedia Commons
The Thief’s Gambit—A Patriot’s Heist or a Crook’s Crime?
Vincenzo Peruggia slipped into the Louvre just like everybody else. Except he wasn’t.
It was Friday, August 11, 1911, in the middle of a week-long heat. Only two days before, the temperature in sunbaked Paris hit 100° F. Today, as the work week came to a close, local thermometers would read 36°. That would be Celsius. In Fahrenheit, that would be 96.8°.
The Louvre wasn’t merely one of the world’s most renowned art galleries. On this hot day, it offered a bit of cool shade from the bright yellow disk burning above in the clear blue sky. That wasn’t why Vincenzo entered the building. He had worked there. His job was to build a glass case that would display a particular painting. That painting was Leonardo da Vinci’s Mona Lisa.
But ol’ Vinny didn’t happen into the museum for work. He calmly ventured in with all the other Continue Reading “Should Stolen Art Be Returned—Even If It Hurts the Innocent?”