The Italian-American Triumvirate: #2 – Country

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As mentioned last week, October is Italian-American Heritage Month. Not only do we take a day (either the original October 12 or the second Monday) to celebrate Christopher Columbus, the Italian that most influenced America, but, like other ethnic groups, we spend the entire month honoring those who immigrated to the United States centuries after the first Italian discovered a brand new world.

This is the second in a series of columns on “the Big Three,” the three institutions that, though to some extent describe all Americans, speak especially to the cultural heritage of Italian-Americans.

Recall the meaning of “Italian-American.” It represents an acknowledgment that you are Continue Reading “The Italian-American Triumvirate: #2 – Country”

We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth

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They say imitation is the greatest form of flattery. That may be true, but it is also the greatest impediment to progress.

Don’t get me wrong. There’s a certain business sense to imitation – and I don’t mean outright theft of intellectual property. I’m referring to the “variation on a theme” that has become a successful marketing trope since well before Beethoven, Bach, and The Beatles.

Companies use the goodwill (and good publicity) generated by a top selling product, give it a tweak here and there, then come out with a “new” product that borrows heavily from the theme of the original. Rarely, however, does this sequel product ever reach the heights of its predecessor.

Here’s an example. Following the tremendous success of Continue Reading “We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth”

The Decade the Music Died

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We’re a few days away from February 3rd. It’s a day that forever lives in Rock and Roll infamy.

It was on a cold winter’s night precisely sixty years ago – February 3, 1959 – that Buddy Holly, Ritchie Valens, and J.P. “The Big Bopper” Richardson boarded a Beechcraft Bonanza and found Rock and Roll heaven in a barren cornfield outside of Clear Lake, Iowa.

Much has been written about this, including two film biopics (The Buddy Holly Story in 1978 starring Gary Busey and La Bamba in 1987 starring Lou Diamond Phillips). Perhaps the seminal tribute, though, remains Don McLean’s 1971 hit “American Pie.” It was his song that first used the phrase “the day the music died” to describe the plane crash that took the lives of those young rock stars.

I’m not going to add to the litany of previously published thoughts on “the day the music died.” Rather, I’m going to share with you a conversation I had with a reporter. We sat at a high table in The Menches Brothers Restaurant in Green, Ohio (between Akron and Canton, for those using a GPS). I sipped my Diet Pepsi as the reporter asked me questions about what inspired me to write Hamburger Dreams (my latest book that looks at the evidence refuting and supporting the various hamburger origin stories).

At one point, he asked if I had written any other “food” books. I mentioned A Pizza The Action (albeit it’s more about business than food). Then I added that I had penned a short article on my grandfather’s pizzeria, mapping its beginning to the emergence of Rock and Roll.

That’s when the fun started. Little did I know this reporter, though nearly my age, still Continue Reading “The Decade the Music Died”