Are The Russians The New Nazis?

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Photo by Michal Zacharzewski from FreeImagesHave you noticed this?

It seems like I can’t turn to a movie, TV show, or just about anything else produced by Hollywood without seeing the same thing over and over again.

No, I’m not talking about the plot. (That’s not a Hollywood thing, there are only three basic conflicts in all dramatic literature and that means a lot of repeated plots going all the way back to ancient Greece.)

And I’m not talking about the protagonists. (Yes, this superhero thing has gotten out of hand, but, hey, can you blame Hollywood? The more it sells the more they’ll make, at least until it stops selling.)

What I’m talking about is fast becoming a stereotypical prototype for the antagonist, the enemy of the protagonist, otherwise known as “the bad guy.” It’s not that they aren’t Continue Reading “Are The Russians The New Nazis?”

We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth

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They say imitation is the greatest form of flattery. That may be true, but it is also the greatest impediment to progress.

Don’t get me wrong. There’s a certain business sense to imitation – and I don’t mean outright theft of intellectual property. I’m referring to the “variation on a theme” that has become a successful marketing trope since well before Beethoven, Bach, and The Beatles.

Companies use the goodwill (and good publicity) generated by a top selling product, give it a tweak here and there, then come out with a “new” product that borrows heavily from the theme of the original. Rarely, however, does this sequel product ever reach the heights of its predecessor.

Here’s an example. Following the tremendous success of Continue Reading “We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth”