They say imitation is the greatest form of flattery. That may be true, but it is also the greatest impediment to progress.
Don’t get me wrong. There’s a certain business sense to imitation – and I don’t mean outright theft of intellectual property. I’m referring to the “variation on a theme” that has become a successful marketing trope since well before Beethoven, Bach, and The Beatles.
Companies use the goodwill (and good publicity) generated by a top selling product, give it a tweak here and there, then come out with a “new” product that borrows heavily from the theme of the original. Rarely, however, does this sequel product ever reach the heights of its predecessor.
Here’s an example. Following the tremendous success of Continue Reading “We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth”
A Hero Has Fallen
It was the cinematographer’s use of a soft lens in critical close-ups that told more of Ilsa Lund’s backstory in Casablanca than any flashback could. We see a hint of it when she first enters Rick’s Café Américain, a popular casino. There, she’s introduced to Captain Renault.
But it is the extended close-up when Ilsa asks Sam to “play it for me.” There, the lens embraces the wholesome beauty of Ingrid Bergman and the sweet alluring yet Continue Reading “A Hero Has Fallen”