Life (With Strings Attached)

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By on October 17, 2023

Sitting in the balcony at the First Presbyterian Church on North Main Street in Honeoye Falls, I couldn’t help but wonder. It was Ray Milne’s funeral service. He was an amazing man. Long ago, during my term of public service, he offered sound and wise advice. He was a man many could look to as a community role model. I only wish I could accomplish half of what he did.

But that’s not what I was wondering about. The setting itself took me back. When I first moved back to Mendon in the late 1980s, I joined many civic groups, hoping to discover what I could offer my adopted hometown. Several of those groups convened in the meeting rooms of the church.

That was a time long ago. I started thinking about all the people I knew back then. Some of them were in that church celebrating Ray’s life. Most of them were celebrating with Ray.

The solemn but sweet music coming from the organ helped place me in the mood to Continue Reading “Life (With Strings Attached)”

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Classic vs. Timeless: Do You Know the Difference?

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By on February 26, 2019

Ten years ago, I wrote a play for The Monsignor Schnacky Players. It was called The Macaroni Kid. The melodrama told the heartwarming but comedic story of a young orphan trying to reunite with his long, lost mother. Kidnapped by gypsies as a baby, he doesn’t know her name, he doesn’t know where she lives, he doesn’t even know what she looks like. All he remembers is her voice and the beautiful songs she would sing to him.

Now a young man, he decides the only way to find his mother is to sing everywhere, every chance he has. Only then, maybe, if he is lucky, she will find him. (That’s the heartwarming part.)

The only trouble with his plan; he can’t sing. But everyone is so captivated by his story and his quest that they don’t have the heart to tell him. (That’s where the comedy comes in.)

This isn’t a new story. It’s a spin on the familiar “boy-loses-girl/boy-looks-for-girl/boy-finds-girl” three act drama well known among story-tellers, scriptwriters, and playwrights. Lest you think “mother” doesn’t qualify for “girl,” I suggest you reread that timeless Greek classic Oedipus Rex.

There. I just did it. I used “timeless” and “classic” in the same sentence.

Most people view “timeless” and “classic” as interchangeable adjectives. They’re not.

By definition, “timeless” mean “eternal” and “classic” means “highest quality.” That means Continue Reading “Classic vs. Timeless: Do You Know the Difference?”

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Strawberry Fields Forever – An Ode to Kenny

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By on June 27, 2017

Kenneth P. Carosa
11/2/1961 – 6/18/2017

This is the first of four parts of an older brother’s eulogy to a beloved younger brother.

I remember a bright summer day in late June. The sweet smell of acres upon acres of Queen Anne’s Lace, daisies, and the occasional black-eyed Susan surrounded us as we ventured into the bountiful fields of wild strawberries. The broad undeveloped lots just to the south of Highland Parkway rolled as far as the eye could see.

And with the weed trees then mere young saplings, the eye could see pretty far. We often tested our vision on clear August days. Me, Kenny, Angelo and Markie would hike deep into these virgin woods, being careful to remain within sight of civilization as we knew it. We walked just far enough so we could see the Hamburg Fair’s Double Ferris Wheel spin silently just on the edge of the horizon.

But while those late summer days were for friends, the first days of summer meant the strawberries were ripening. No one cared more about this abundant fruit except for my mother, me, and Kenny… and perhaps a few small animals. Each summer my mother would Continue Reading “Strawberry Fields Forever – An Ode to Kenny”

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The Morning the Music Died

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By on December 9, 2010

[This Commentary originally appeared in the December 14, 1989 issue of The Mendon-Honeoye Falls-Lima Sentinel. I decided, for the purposes of this blog, to switch this so it better coincides with the actual anniversary; hence, the beginning parenthetical note that occurred in the original publication might seem a little strange until you read next week’s post.]

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(C Note: OK, OK, so I’m a week late. I just thought it would be better to give our local merchants a plug as early in the Christmas season as possible.)

Chronologically, I was too young to grow up with the Beatles. Still, a very young aunt and several teenage cousins provided the avenue for me and my brother to experience at least the fringe of Beatlemania.

Not that we fully understood everything. Let me share with you just one example. During one family party in the summer of 1967,  a cousin spirited me away to her room, warning me not to tell my mother what she was about to show me. She proceeded to Continue Reading “The Morning the Music Died”

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The Who Dat?

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By on February 8, 2010

Jim Croce once crooned a melody 618143_fading_away_royalty_free_stock_xchng_300that began “If I could save time in a bottle.” Ironically, through his participation in a fatal plane crash, he did, at least in terms of his own career. Unlike Bob Dylan, Jim Croce remains forever young. Of course, in the case of Bob Dylan, a seemingly senile – as in unintelligible – folk singer from the beginning, age simply doesn’t matter.

The same, unfortunately, does not apply to the band performing under the name “The Who.” CBS did the surviving members a disservice by airing commercials with clips from their heyday. I certainly didn’t expect to see a reprise of their guitar-smashing gyrations of an earlier generation. Still, the oh so apparent erosion of time stunned me. Roger Daltrey and Pete Townshend appeared less a classic rock act and more a Simpsons parody of a has-been group doing one more reunion tour. They couldn’t cover up the wooden movements of their atrophied muscles, but I held out hope they’d at least lip sync to their younger voices.

Continue Reading “The Who Dat?”

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