Americans seem to have been infatuated with the concept of extraterrestrial life ever since Italian Astronomer Giovanni Schiaparelli placed his eye on the lens of that new (and very powerful) refractor telescope in the Osservatorio Astronomico di Brera. The Brera Observatory (so named because it was located in the Brera district of Milan, Italy) to this day sits on the very urban corner of Via Brera and Via Flori Ocsuri. The Jesuit astronomer Ruđer Josip Bošković (or “Ruggiero Giuseppe Boscovich,” depending on which ethnic group you believe controlled Dubrovnik in the Republic of Ragusa at the time of his birth) built the observatory in 1764. Within a decade, Pope Clements XIV issued his July 21, 1773 papal bull formally suppressing the Jesuits. Among other things, this papal bull passed the ownership of the observatory to municipal, rather than religious, authorities.
His early work having brought fame both to him and his country, the Kingdom of Italy bought Schiaparelli an 8.6 inch Merz Equatorial Refracting Telescope from famed German optician Georg Merz. In 1874 the telescope was installed on the roof of the Brera Observatory and Schiaparelli used it initially to study double stars. With the opposition of Mars set to happen on September 5, 1877, Schiaparelli turned his sight to the Red Planet. (An “opposition” is an astronomical event that occurs when the Earth is exactly between the Sun and the planet.) It was during this period of observations, beginning on September 12, 1877, that Schiaparelli drew his now famous map of Mars. Here lies, as they say, the rest of the story.Continue Reading “7th Heaven? I’m Not Saying It’s Aliens, But…”
Should Stolen Art Be Returned—Even If It Hurts the Innocent?
Monuments Man Lt. Frank P. Albright, Polish Liaison Officer Maj. Karol Estreicher, Monuments Man Capt. Everett Parker Lesley, and Pfc. Joe D. Espinosa, guard with the 34th Field Artillery Battalion, pose with Leonardo da Vinci’s Lady with an Ermine upon its return to Poland in April 1946. Source: Wikipedia Commons
The Thief’s Gambit—A Patriot’s Heist or a Crook’s Crime?
Vincenzo Peruggia slipped into the Louvre just like everybody else. Except he wasn’t.
It was Friday, August 11, 1911, in the middle of a week-long heat. Only two days before, the temperature in sunbaked Paris hit 100° F. Today, as the work week came to a close, local thermometers would read 36°. That would be Celsius. In Fahrenheit, that would be 96.8°.
The Louvre wasn’t merely one of the world’s most renowned art galleries. On this hot day, it offered a bit of cool shade from the bright yellow disk burning above in the clear blue sky. That wasn’t why Vincenzo entered the building. He had worked there. His job was to build a glass case that would display a particular painting. That painting was Leonardo da Vinci’s Mona Lisa.
But ol’ Vinny didn’t happen into the museum for work. He calmly ventured in with all the other Continue Reading “Should Stolen Art Be Returned—Even If It Hurts the Innocent?”