Say what you will about cinematographers, but they’re literally responsible for what we see in movies. Ultimately, save for a few choice lines, it is these images we remember most from the classic films we cherish.
It was the cinematographer’s use of a soft lens in critical close-ups that told more of Ilsa Lund’s backstory in Casablanca than any flashback could. We see a hint of it when she first enters Rick’s Café Américain, a popular casino. There, she’s introduced to Captain Renault.
But it is the extended close-up when Ilsa asks Sam to “play it for me.” There, the lens embraces the wholesome beauty of Ingrid Bergman and the sweet alluring yet Continue Reading “A Hero Has Fallen”
A Look Back (Part I): An Early (1841) View Of A New Village
Here’s an annoying problem I discovered while researching for the book Hamburger Dreams: there’s a lot of people and places that come up when you search the words “hamburger” or “hamburg” that have nothing to do with the delicious sandwich that spawned a trillion-dollar industry.
This required me to be both creative and patient as I sifted through hundreds of century old newspaper articles. It eventually worked, but it took a lot of time. In the end, it proved worthy.
The same thing is happening now as I complete my research on the Masonic Temple/Wilcox Hotel/Wilcox House/Falls Hotel (yes, that one building has gone by several names during its nearly 200-year existence). It turns out Continue Reading “A Look Back (Part I): An Early (1841) View Of A New Village”