Many years ago, a young aspiring columnist asked an established author what it takes to be a writer. “To write, you need to find your pen,” said the wordsmith. “To write well, you need to find your voice.”
“Find your voice?” What does that mean?
I never understood that expression. It seemed like a cop out. It’s what you tell a young buck when you don’t have a real answer. After all, everyone is looking for that magic bullet, that sure-fire secret that makes you a success.
Well, after years of writing, it dawned on me the answer to “How can I be a good writer?” is obvious. You need to find your voice. I can’t tell you what it means, but I can tell you it’s Continue Reading “Story Weaving, Callbacks, And Self-Deprecating Humor”
The Terrible Reality of Story Arcs
Bob Denver Gilligan’s Island, 1966, CBS Television, Public domain, via Wikimedia Commons
Think back to all the great stories you’ve heard, read while relaxing on a sunny beach, or watched in front of the big screen. What do they all have in common? Your first answer might be, “They kept me on the edge of my seat and their ending nailed it.”
OK, that might be true. But if you dig deeper, you’ll find they all stayed true to the narrative structure of the traditional story arc—Exposition, Rising Action, Climax, Falling Action, and Resolution. In good stories, you don’t see this structure. The transition from one element to the next flows seamlessly.
The 1942 film Casablanca, often cited as one of the greatest movies ever made, offers a good example of this. You don’t even notice as the Exposition rolls through a series of Continue Reading “The Terrible Reality of Story Arcs”