A Good Show Must Always End, But A Great Story Lasts Forever

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A fragment of the Odyssey, via Wikimedia Commons

Have you ever been involved in a performance? Any kind of performance? It could have been a high school play, a ceremony at church, or a major presentation at work. In all cases, you practice, practice, practice. Whether it’s a musical or a wedding, you have a final rehearsal before the actual “show.”

On opening night, you have jitters. Throughout the event, your shoulders remain tense. You try not to let them see you sweat. At some point, however, you get past the hump. You can see the end. You begin to relax. Ironically, adrenaline pumps through your veins until it reaches euphoria when the final curtain falls. Your emotion peaks to such heights that, even today, you can barely remember the celebratory after-party.

And then it’s over. You wake up the next morning to an unexpected emptiness. The routine is gone. What do you do now?

Alas, all good shows must come to an end. Such is the nature of the business. Such is the Continue Reading “A Good Show Must Always End, But A Great Story Lasts Forever”

The Terrible Reality of Story Arcs

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Bob Denver Gilligan’s Island, 1966, CBS Television, Public domain, via Wikimedia Commons

Think back to all the great stories you’ve heard, read while relaxing on a sunny beach, or watched in front of the big screen. What do they all have in common? Your first answer might be, “They kept me on the edge of my seat and their ending nailed it.”

OK, that might be true. But if you dig deeper, you’ll find they all stayed true to the narrative structure of the traditional story arc—Exposition, Rising Action, Climax, Falling Action, and Resolution. In good stories, you don’t see this structure. The transition from one element to the next flows seamlessly.

The 1942 film Casablanca, often cited as one of the greatest movies ever made, offers a good example of this. You don’t even notice as the Exposition rolls through a series of Continue Reading “The Terrible Reality of Story Arcs”

On The Oscars, Bank Runs, And Picking Winning Stocks

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Photo by Mirko Fabian on UnsplashI’m not really a fan of awards shows. I’ve got a lot of other things to do besides watch celebrities celebrate each other. Oh, and don’t get me going on the value signaling.

But I do watch movies. Mostly old ones. Although for the first time in a long time, I actually saw one of the movies nominated for best picture. Only one of them. And I’m probably not alone in that category.

Top Gun: Maverick did something Hollywood really needed. It made people want to go to the theater again. You can count me among them. Granted, that was the only movie that compelled me since the last James Bond fiasco (see “Abandon Bond All Ye Who Enter,” Mendon-Honeoye Falls-Lima Sentinel, November 4, 2021).

In return for this gift, the powers that be nominated Top Gun: Maverick for “Best Picture.” It would never win, of course, but they truly believe it’s an honor merely to be nominated. But to make them feel less guilt, they’d have to nominate the film for a few other Continue Reading “On The Oscars, Bank Runs, And Picking Winning Stocks”

Abandon All Bond, Ye Who Enter Here

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Aston Martin DB5, thomas grayI don’t usually do movie reviews, but I when I do, I drink water. And I also usually write them immediately after seeing the film. I did that in this case. The editorial calendar, has the review coming out a month later. On the bright side, at least everyone who watched the movie will have done so by now, so I don’t have to warn you about spoilers.

For James Bond aficionados, there’s always been an obvious choice for “Worst Bond Film Ever.”

Following Sean Connery’s “retirement” after the box office smash You Only Live Twice, the film series’ producer Albert Broccoli had to look for a new Bond. It’s said he considered over Continue Reading “Abandon All Bond, Ye Who Enter Here”

Are The Russians The New Nazis?

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Photo by Michal Zacharzewski from FreeImagesHave you noticed this?

It seems like I can’t turn to a movie, TV show, or just about anything else produced by Hollywood without seeing the same thing over and over again.

No, I’m not talking about the plot. (That’s not a Hollywood thing, there are only three basic conflicts in all dramatic literature and that means a lot of repeated plots going all the way back to ancient Greece.)

And I’m not talking about the protagonists. (Yes, this superhero thing has gotten out of hand, but, hey, can you blame Hollywood? The more it sells the more they’ll make, at least until it stops selling.)

What I’m talking about is fast becoming a stereotypical prototype for the antagonist, the enemy of the protagonist, otherwise known as “the bad guy.” It’s not that they aren’t Continue Reading “Are The Russians The New Nazis?”

Criminal Hubris: It Gets Them Every TIME

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Search for the term “criminal hubris” and chances are you won’t find anything (except, hopefully, this woeful column). We know what a criminal is. We know what hubris is. But there is no definition of “criminal hubris.”

Yet there is, and it’s staring at us right in the face. Metaphorically, it’s all around us. Cinematographically, it resides on the screens we watch. Its roots, however, lie within the body of literature – both philosophical and dramatic – we ought to be most familiar with.

Whether as a metaphor for real-life, a character in a story, or an actual crime, “criminal hubris” is easy to spot (if you’ve got a trained eye), hard to avoid (if you’re arrogant), and, best of all, wonderful to watch (because it hoists offenders with their own petard quite regularly).

Before I reveal the “7 Steps of Criminal Hubris” let’s explore the origins of “hubris” and Continue Reading “Criminal Hubris: It Gets Them Every TIME

A Hero Has Fallen

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Say what you will about cinematographers, but they’re literally responsible for what we see in movies. Ultimately, save for a few choice lines, it is these images we remember most from the classic films we cherish.

It was the cinematographer’s use of a soft lens in critical close-ups that told more of Ilsa Lund’s backstory in Casablanca than any flashback could. We see a hint of it when she first enters Rick’s Café Américain, a popular casino. There, she’s introduced to Captain Renault.

But it is the extended close-up when Ilsa asks Sam to “play it for me.” There, the lens embraces the wholesome beauty of Ingrid Bergman and the sweet alluring yet Continue Reading “A Hero Has Fallen”

Every “Real Man” Knows How To Tie A Bow Tie

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If you’re a guy of a certain age, (or maybe any age, I don’t know), you can’t say you’ve never fantasized the following: You’re sitting at a plush Baccarat table, debonairly dressed in a crisp tux, cradling a dry martini (shaken, not stirred) in one hand, fondling a couple of heavy chips in the other, while coyly catching the eye of a certain femme fatale.

If there’s one prop that defines this scene, the one thing your mind’s eye focuses on, it’s the bow tie.

You can’t wear a shiny tux without one. The bow tie tells the story – the whole story.

Here’s why.Continue Reading “Every “Real Man” Knows How To Tie A Bow Tie”

Rotary’s Casino Royale

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Rotary Casino 20160226_203741Who doesn’t like James Bond? And, if you like James Bond, you just gotta love a casino! Not since ol’ Doc Smith brought the circus to “right here in Honeoye Falls” so many decades ago have I looked with such anticipation to a Rotary event. (Yes, that includes the year they delighted my son Peter – who polished and shined it back to life – by awarding my ‘83 Camaro a third place price at the Rotary Car Show in 2011.) When we found out about the casino, (which wasn’t hard given the poster was right there on John’s counter at the Mendon Pharmacy), Betsy and I decided we had to go.

OK, OK, I admit I was more excited about the “Casino” part. Betsy, on the other hand, she Continue Reading “Rotary’s Casino Royale”

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