They say imitation is the greatest form of flattery. That may be true, but it is also the greatest impediment to progress.
Don’t get me wrong. There’s a certain business sense to imitation – and I don’t mean outright theft of intellectual property. I’m referring to the “variation on a theme” that has become a successful marketing trope since well before Beethoven, Bach, and The Beatles.
Companies use the goodwill (and good publicity) generated by a top selling product, give it a tweak here and there, then come out with a “new” product that borrows heavily from the theme of the original. Rarely, however, does this sequel product ever reach the heights of its predecessor.
Here’s an example. Following the tremendous success of Continue Reading “We’ll Always Have Paris… How The Business of Sequels Destroyed America’s Youth”
The Italian-American Triumvirate: #2 – Country
This is the second in a series of columns on “the Big Three,” the three institutions that, though they to some extent describe all Americans, speak especially to the cultural heritage of Italian-Americans.
Recall the meaning of “Italian-American.” It represents an acknowledgment that you are Continue Reading “The Italian-American Triumvirate: #2 – Country”