In the opening scene of 1962’s The Music Man, Harold Hill, con man extraordinaire, unexpectedly bumps into his old friend and accomplice Marcellus Washburn. Marcellus has since married a “nice comfortable girl” and settled down in the idyllic Midwestern town of River City (“Gone legitimate, huh? I knew you’d come to no good,” laments Hill). When he asks Harold if he’s still pitching steam automobiles, Hill shakes his head “No” and says, “I’m back at the old stand” whereupon he pantomimes conducting a band.
I can’t say Hamburg had the stubbornness of River City, Iowa, (after all, Hamburg is the “Town that Friendship built”), but I can attest to an idyllic feeling growing up off South Park when it had only two lanes. And like the magical concluding scene of The Music Man, my brother and I (and maybe even my mother and father, too), couldn’t wait to Continue Reading “Back at the Old Pizza Stand”
The Glorious Road to the Memorable 1904 St. Louis World’s Fair
Panem et Circenses. It’s a philosophy that goes back to ancient Rome. Literally translates from the original Latin as “Breads and Circuses,” it defines a strategy to mollify a potentially unruly populace by distracting them with basic needs and entertainment. It’s what you do if you’re not sure the sudden surge in pitchfork sales are destined for farms across your nation or a dense mob about to knock on your front door.
Such was the condition of France throughout the period of the French Revolution. The new government, recognizing its tenuous position, organized a series of festivities beginning with the Festival of the Federation held on July 14, 1790, a year to the day about that aforementioned mob stormed the Bastille. During the final stages of Révolution française, well after the Reign of Terror, the Directory ruled France. In 1798, a little more than a year before the coup d’état that ushered in a new triumvirate that included Napoleon Bonaparte, the Directory decided Continue Reading “The Glorious Road to the Memorable 1904 St. Louis World’s Fair”