I don’t usually review movies or television series, but when I do…
If an image of a smart looking older man just dripping of Mexican aristocracy blossoms in your head, then you’ve been influenced by the same advertising campaigns as I have. No, in case you’re wondering, this column is not a Dos Equis beer commercial. But it is about the most interesting man in the world.
Or at least the television world.
Before I leave the advertising realm, chances are the image you conjured was that of a well-tanned but weathered gentleman with graying hair and an even grayer beard. He looks like a modern-day Don Quixote. It’s an allure that’s hard to turn away from.
Incidentally, the actor Jonathan Goldsmith portrayed this character from 2006 through 2016. In his final ad, Dos Equis launched “the most interesting man in the world” on a one-way trip to another world—Mars. His final epitaph was the fitting, “His only regret is not Continue Reading “The Black List Listless Series Finale Disappoints”
The Terrible Reality of Story Arcs
Bob Denver Gilligan’s Island, 1966, CBS Television, Public domain, via Wikimedia Commons
Think back to all the great stories you’ve heard, read while relaxing on a sunny beach, or watched in front of the big screen. What do they all have in common? Your first answer might be, “They kept me on the edge of my seat and their ending nailed it.”
OK, that might be true. But if you dig deeper, you’ll find they all stayed true to the narrative structure of the traditional story arc—Exposition, Rising Action, Climax, Falling Action, and Resolution. In good stories, you don’t see this structure. The transition from one element to the next flows seamlessly.
The 1942 film Casablanca, often cited as one of the greatest movies ever made, offers a good example of this. You don’t even notice as the Exposition rolls through a series of Continue Reading “The Terrible Reality of Story Arcs”