JFK Campaign Poster. Source: Unidentified Artist, CC0, via Wikimedia Commons
Two hundred years. It was a great run while it lasted.
I wrote eight years ago how the establishment Republicans’ alienation of Donald Trump signaled the end of that party, (see “The Night the Grand Old Party Died,” Mendon-Honeoye Falls-Lima Sentinel, April 14, 2016). A week ago, their counterpart decided to return the favor.
To fully appreciate the significance of this, understand I was raised a Kennedy Democrat, pretty much like every other Catholic who grew up in the 1960s. Every home in my family and every home of my family’s friends had two pictures hanging somewhere among their walls. One was of the Pope. The other was of John F. Kennedy.
How effusive was the Kennedy aura in our family? My brother’s name was “Kenneth.” We called him “Kenny.” My great-great aunt Zia Pepe (that would be my mother’s great aunt and my grandmother’s aunt) watched us when my mother had to substitute teach. She called my brother “Ken-eh-dee.” It was a badge of honor for him. He collected all things Kennedy, at least for a short time.
Zia Pepe was babysitting us when JFK was assassinated. The three of us watched it on TV. She cried. We didn’t know why Zia Pepe was crying. As we were watching, our mother Continue Reading “The Day ‘The Democracy’ Died”
The Anatomy Of A Perfect Speech
Buchel, Charles A.; Herbert Beerbohm Tree (1852-1917), as Mark Anthony in ‘Julius Caesar’ by William Shakespeare; Theatre Collection; http://www.artuk.org/artworks/herbert-beerbohm-tree-18521917-as-mark-anthony-in-julius-caesar-by-william-shakespeare-30507 Public domain, via Wikimedia Commons
Well, isn’t that interesting? It seems last week’s column brought forth a surge of fascination. And curiosity. Several readers requested a more complete example. They wanted to see an actual speech that most effectively employed the three cornerstones of a perfect speech: story weaving, callbacks, and self-deprecating humor.
Oh, there are so many. From Churchill to Reagan to Kennedy, modern orators have used these tools to persuade and entice listeners.
Marc Antony’s eulogy for Julius Caesar in the second scene of Act III of Shakespeare’s play Julius Caesar is a classic example of a speech that uses these elements effectively (see “Story Weaving, Callbacks, and Self-Deprecating Humor,” Mendon-Honeoye Falls-Lima Sentinel, October 17, 2024). Now, I realize it’s probably been a while since high school or since you watched Marlon Brando’s masterful performance as Marc Antony in MGM’s 1953 production of Julius Caesar. So, before we begin, here are the salient parts of Antony’s speech:Continue Reading “The Anatomy Of A Perfect Speech”