Say what you will about cinematographers, but they’re literally responsible for what we see in movies. Ultimately, save for a few choice lines, it is these images we remember most from the classic films we cherish.

It was the cinematographer’s use of a soft lens in critical close-ups that told more of Ilsa Lund’s backstory in Casablanca than any flashback could. We see a hint of it when she first enters Rick’s Café Américain, a popular casino. There, she’s introduced to Captain Renault.

But it is the extended close-up when Ilsa asks Sam to “play it for me.” There, the lens embraces the wholesome beauty of Ingrid Bergman and the sweet alluring yet Continue Reading “A Hero Has Fallen”